WWE WrestleMania 36: 5 Interpretations of a Boneyard Match

#2 Gimmick bones as weapons

We as fans have seen WWE go out of its way to hype a simple match that involves a weapon on a pole or a weapon hanging above the ring. This could be another chance for the WWE to pull off a similar stunt.

A bone-shaped weapon could be hung for contention and whoever retrieves it can use it against his opponent. Another way to bring in bones as weapons is to surround the ring with these weapons so that the two wrestlers can use them as they please.

We have seen The Undertaker use the biker's chain as a weapon in his career and such a match could bring out the ferocity in The Deadman. Styles and Taker beating each other senseless will be a sight to watch and will make for great story telling since their rivalry has become so intense.

While neither Styles not Taker are heavily dependent on weapons, a match like this could be built up with one more episode left to go before this year's WrestleMania.

About the author

Kishan is a WWE writer at Sportskeeda Wrestling and has been associated with the division for 8.5 years. Even though he doesn't work at Sportskeeda on a full-time basis, writing about wrestling keeps his passion for the sport alive. He reports on important updates from wrestlers and rumors from trustworthy sources.

Kishan recalls the best match he witnessed when he was just 6 – the Hell in a Cell Match at Armageddon 2000. Watching the six men push each other to their limits and then some made him realize how incredible pro wrestling is.

He graduated as a Chemical Engineer a few years before he began his journey with Sportskeeda. A couple of years as a non-contracted writer for the website became a full-time opportunity that included managing the pro wrestling division.

Kishan's favorite wrestler is Triple H, as he can pull him into any storyline. In today's era, one can call him a Seth "Freakin" Rollins fan for the same reason. When he is not writing for Sportskeeda, Kishan works as a digital marketing professional.

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Edited by Alan John