Ochako and Toga's conclusion being off-screen In My Hero Academia reflects a great injustice of the real world

The My Hero Academia manga is nearing its conclusion with only two chapters remaining, and the latest chapter, 428, confirms that Ochako and Toga's story has concluded off-screen. The relationship between these two pivotal female characters has played a crucial and emotionally significant role in the series, especially in portraying the various sides of characters often labeled as villains.

The decision to conclude their story off-screen has led to varied interpretations. While the majority of the reactions are of grief, others may see it differently. Some fans believe that the off-screen conclusion of Ochako and Toga's story reflects a broader issue of dismissing female characters, potentially indicating that their conclusion was not given the attention and detail they deserved.

Many in the community may perceive it as reflecting the deep-seated dismissal of women, a great injustice, suggesting a reflection of an essential real-world problem in the narrative.

Disclaimer: This article contains spoilers from My Hero Academia manga and reflects the author's opinions. Discretion is advised.

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My Hero Academia's approach to Ochako and Toga's conclusion triggers debates on Horikoshi's handling of female characters

The latest My Hero Academia chapter 428 brings closure to Ochako and Toga's fate. The chapter not only clarifies Toga's fate off-screen but also delves into its impact on Ochako. However, the narrative approach to their conclusion raises a critical question: was this a deliberate decision by the mangaka or was it simply a way to convey a specific point?

The point could be that despite the apparent end of the fighting and the fall of the villains, the war's true consequences remain unacknowledged. While everything might seem bright and hopeful, the tragic stories of the villains remain unseen by the world. This aspect is likely portrayed through the undocumented conclusion of Ochako and Toga's confrontation.

This way of approach, however, may come across as poor/careless handling of female characters. It can highlight a deep-seated dismissal of women, suggesting that even if their stories are not detailed on-screen, what matters most is getting the point across. This approach has sparked reactions from fans, ranging from disappointment and sorrow to criticism of the mangaka's treatment of this key plot point.

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Ochako and Toga's off-screen conclusion may highlight a significant real-world concern

Ochako and Toga in the anime (Image via Bones)

My Hero Academia's narrative has previously emphasized the importance of documenting the final war and its' epic battles, capturing both the heroes' and the villains' perspectives through recordings. However, chapter 428 reveals that while other battles were documented, Ochako and Toga's confrontation and finale remain undocumented.

A chopper with a camera crew covered the fight at Okuto Island, where Himiko Toga clashed with Ochako, Tsuyu, and other heroes. The recent My Hero Academia chapter 428 reveals that in the rush of reporting amid the chaos of war, the camera operator failed to notice that the camera's battery had died.

As a result, Toga and Ochako's epic confrontation, including the poignant final moment where Toga saves Ochako's life using her own blood and quirk, remains uncaptured and undocumented, never to be seen by the rest of the world. The mangaka splendidly portrayed this touching yet heartbreaking conclusion to these two pivotal female characters.

Hence, the choice to leave their story out of the spotlight comes as a significant shock to readers. This essential reveal has greatly impacted both the audience and the overall narrative. If it was a deliberate choice by the mangaka, it could be seen as a justified and unique narrative decision, underscoring how the positive aspects of villains often go unnoticed.

This approach highlights how the hero society tends to label individuals as villains without considering their deeper circumstances. For instance, Toga's self-sacrificial act to save Ochako, despite being her enemy, will remain unrecognized by the world, perpetuating her image as a villain.

However, if this conclusion was not intentional and the mangaka simply chose to present their emotional moment off-screen to make a broader point, it could indicate a lack of adequate handling of these key female characters. If Toga's death also remains off-screen and her final moments aren't portrayed in the narrative, it would further support this debate.

This approach may reflect the real-world issue of dismissing female figures and highlight a missed opportunity to give their stories the attention and depth they deserve.

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Related links:

• My Hero Academia season 7 episode 11: UA's Big 3 confront Shigaraki as he pierces Bakugo's heart
• 5 My Hero Academia fights every fan enjoys (& 5 that should've been cut from the series)
• My Hero Academia timeline: All 22 arcs, explained